Monday, August 28, 2006

Cross Cultural Covers

Though playing everybody’s old favourites as part of a set is often a way of getting people up dancing, (if only because it triggers memories in the older generation of a time when they could dance) it’s a good idea to play with the formula a bit and throw in a series of covers in the style of different genres, culture or even language.

Badmarsh & Shri - Get Up (James Brown remix) is, I humbly suggest, a must on any DJ’s list: funking in a world music way like nothing else I’ve found, by mixing their Sitar Ritual with the previously mentioned funk classic.

Rachid Taha - Rock El Casbah is a fun Arabic rendering of the Clash classic.

Mo Horizons - Hit the road Jack (Pé na Estrada) gives a Latin groove to the Ray Charles standard.

Reversing the cultural cross over is Blackeyed Peas feat. Sergio Mendez - Mas Que Nada.

Though you won’t get me mentioning many Reggae tracks this one which I think is in French and Arabic Corneille & Cheb Mami - Enfant d'Afrique translates Stevie Wonder's Jammin’ in a no frills way.

Doing our bit to show that the world is one!

2 Comments:

At 2:07 AM, Blogger Robin Simpson said...

I saw Rachid Taha doing 'Rock El Casbah' at the Barbican last year and it was fantastic! Similarly exciting in the spirit of cross cultural covers (at this year's WOMAD Festival at Reading) was Mexican band Los de Abajo's wonderful upbeat version of 'The lunatics are taking over the asylum'. There are both Spanish and English versions of this on their CD 'LDA vs The Lunatics'. If you wanted to pursue a Latin American/Ska crossover theme you could follow this with anything by Ska Cubano (does what it says on the tin!) and Salsa Celtica (likewise!) and finish with 'Tears of a Clown' by The Beat - itself a great cover version.

 
At 12:03 PM, Blogger ArmchairDJ said...

Thanks Robin, great tips. I'll check them out. Salsa Celtica were a bit of a disappointment when I heard them. I think I was expecting a cross between Afro Celt Sound System and Ozomatli, but found them a bit limp, in terms of dancability, of course

 

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